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Exhibition: in sight

13.04.2025 – 22.06.2025


Philipp Gufler, Naomi Rincón Gallardo, Constantin Hartenstein

Exhibition

in sight asks how different spaces determine the invisibility/visibility of bodies – also control them and inscribe them with history. The exhibition uses projections to focus on what often remains in the dark: Videos by Philipp Gufler and Naomi Rincón Gallardo as well as a sculpture and a video by Constantin Hartenstein appear in the dark exhibition space and are shown together with slides by galerie weisser elefant. They are part of a feminist re-presentation of the archive material in Martha Schwindling‘s display.

Curated by Natalie Keppler & Agnieszka Roguski (Artistic Directors Kunst Raum Mitte).

The exhibition is in dialog with a performance by Lola von der Gracht & NIP SLIP and Danila Lipatov‘s research on queer subcultures in the late GDR.

DISLOCATIONS—in sight, 2025, installation view, Kunst Raum Mitte. Foto: Jannis Uffrecht DISLOCATIONS—in sight, 2025, installation view, Kunst Raum Mitte. Foto: Jannis Uffrecht
DISLOCATIONS—in sight, 2025, installation view, Kunst Raum Mitte. Foto: Jannis Uffrecht
Philipp Gufler, The Beginning of Identification, and its End, 2024. Foto: Jannis Uffrecht Philipp Gufler, The Beginning of Identification, and its End, 2024. Foto: Jannis Uffrecht
Philipp Gufler, The Beginning of Identification, and its End, 2024. Foto: Jannis Uffrecht
Constantin Hartenstein, Trap (II), 2022. Foto: Jannis Uffrecht Constantin Hartenstein, Trap (II), 2022. Foto: Jannis Uffrecht
Constantin Hartenstein, Trap (II), 2022. Foto: Jannis Uffrecht
Constantin Hartenstein, Trap (II), 2022. Foto: Jannis Uffrecht Constantin Hartenstein, Trap (II), 2022. Foto: Jannis Uffrecht
Constantin Hartenstein, Trap (II), 2022. Foto: Jannis Uffrecht
Naomi Rincón Gallardo, Sonnet of Vermin, 2024. Foto: Jannis Uffrecht Naomi Rincón Gallardo, Sonnet of Vermin, 2024. Foto: Jannis Uffrecht
Naomi Rincón Gallardo, Sonnet of Vermin, 2024. Foto: Jannis Uffrecht
Naomi Rincón Gallardo, Sonnet of Vermin, 2024. Foto: Jannis Uffrecht Naomi Rincón Gallardo, Sonnet of Vermin, 2024. Foto: Jannis Uffrecht
Naomi Rincón Gallardo, Sonnet of Vermin, 2024. Foto: Jannis Uffrecht
Constantin Hartenstein, Feit, 2011. Foto: Jannis Uffrecht Constantin Hartenstein, Feit, 2011. Foto: Jannis Uffrecht
Constantin Hartenstein, Feit, 2011. Foto: Jannis Uffrecht
Constantin Hartenstein, Feit, 2011. Foto: Jannis Uffrecht Constantin Hartenstein, Feit, 2011. Foto: Jannis Uffrecht
Constantin Hartenstein, Feit, 2011. Foto: Jannis Uffrecht
Archivmaterial der galerie weisser elefant. Foto: Jannis Uffrecht Archivmaterial der galerie weisser elefant. Foto: Jannis Uffrecht
Archivmaterial der galerie weisser elefant. Foto: Jannis Uffrecht
Archivmaterial der galerie weisser elefant. Foto: Jannis Uffrecht Archivmaterial der galerie weisser elefant. Foto: Jannis Uffrecht
Archivmaterial der galerie weisser elefant. Foto: Jannis Uffrecht
Dia-Dokumentation der galerie weisser elefant, 1987–1992. Foto: Jannis Uffrecht. Dia-Dokumentation der galerie weisser elefant, 1987–1992. Foto: Jannis Uffrecht.
Dia-Dokumentation der galerie weisser elefant, 1987–1992. Foto: Jannis Uffrecht.
Dia-Dokumentation der galerie weisser elefant, 1987–1992. Foto: Jannis Uffrecht. Dia-Dokumentation der galerie weisser elefant, 1987–1992. Foto: Jannis Uffrecht.
Dia-Dokumentation der galerie weisser elefant, 1987–1992. Foto: Jannis Uffrecht.
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Exhibition: in sight

DISLOCATIONS—in sight, 2025, installation view, Kunst Raum Mitte. Photo: Jannis Uffrecht

in sight asks how different spaces determine the invisibility/visibility of bodies – also control them and inscribe them with history. The exhibition uses projections to focus on what often remains in the dark: Videos by Philipp Gufler and Naomi Rincón Gallardo as well as a sculpture and a video by Constantin Hartenstein appear in the dark exhibition space and are shown together with slides by galerie weisser elefant. They are part of a feminist re-presentation of the archive material in Martha Schwindling‘s display.

Curated by Natalie Keppler & Agnieszka Roguski (Artistic Directors Kunst Raum Mitte).

The exhibition is in dialog with a performance by Lola von der Gracht & NIP SLIP and Danila Lipatov‘s research on queer subcultures in the late GDR.