Robert Lippok

Robert Lippok has been testing art’s outermost edges for over four decades. His background at the costume department of the German State Opera in Berlin, the studies at the School of Art and Design Berlin-Weissensee, and the pioneering band projects Ornament und Verbrechen (1983) and To Rococo Rot (1995 – 2014) informed a transversal practice spanning from music composition, visual art, stage design, performance and costume design.

Experimenting with a wide range of music technologies, found objects and self-built instruments, Lippok’s pieces – whether an album or an interactive installation – have always transcended mere self-expression to address the role of art as a space-carving and architectural practice. Through the years, his works have been exhibited in the Palais de Tokyo, Neue National Galerie, Hamburger Bahnhof, Künstlerhaus Bethanien, Haus der Kunst in Munich, Gropius Bau, and the 60th Venice Biennale amongst others.

Lippok’s ever-present interest in collaborative and interdisciplinary projects catalysed joint ventures with international artists including Doug Aitken, pianist Ludovico Einaudi for an extensive tour, choreographer Constanza Macras , opera director Sebastian Baumgarten, and multimedia artist Julian Charrière.

Known for his long-standing contribution to raster-noton’s catalogue through timeless avant-techno releases, notably open close open (2001), redsuperstructure (2011), Applied Autonomy (2018), Lippok’s live appearances have been presented at worldwide festivals and venues such as ADE, Berghain, CTM, Funkhaus Berlin, MUTEK, Sonar, and Unsound.

Robert Lippok’s dedication to research has engaged him with renowned institutions for creative investigation and education, being part of the curatorial board of the spatial audio system 4DSOUND, a member of the board of trustees of the Spatial Sound Institute Budapest, and a fellow of Olafur Eliasson’s Institut für Raumexperimente in Berlin. From 2017 to 2022, Lippok was a tutor at New York University in Berlin, where he taught the production class Experiments in the Future of Production and Performance.

Robert Lippok exhibits a site-specific sound installation as part of the exhibition Transforming.

www.robertlippok.de

Teilnehmende

Robert Lippok

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Robert Lippok has been testing art’s outermost edges for over four decades. His background at the costume department of the German State Opera in Berlin, the studies at the School of Art and Design Berlin-Weissensee, and the pioneering band projects Ornament und Verbrechen (1983) and To Rococo Rot (1995 – 2014) informed a transversal practice … Robert Lippok

Minh Duc Pham

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Minh Duc Pham (* in Schlema, Germany, 1991) is an artist living in Berlin, Germany. Pham completed a diploma in Exhibition Design and Scenography at the Karlsruhe University of Arts and Design in 2019 and studied Performance and Design Theory as a guest student at the Berlin University of the Arts. He works in the … Minh Duc Pham

Jesse Darling

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Jesse Darling’s multi-disciplinary practice considers how bodily subjects are initially formed and continuously reformed through sociopolitical influences. Darling draws on his own experience as well as the narratives of history and counter-history. He explores the inherent vulnerability of being a body, and how the inevitable mortality of living things translates to civilizations and structures. Featuring … Jesse Darling

Dina El Kaisy Friemuth

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Dina El Kaisy Friemuth‘s critical and collective artistic practice unpacks the complexity ofcollectivity and belonging. Their work aims to create environments that center feminist figures through storytelling. Their practice is often created in collaboration with other cultural workers and involves artistic, curating and writing practices. El Kaisy Friemuth holds a MFA from the Royal Danish … Dina El Kaisy Friemuth

Rainer Görß & Ania Rudolph

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Rainer Görß has been working in Berlin-Mitte since 1980. He studied sculpture, scenography and painting in Berlin and Dresden. Since the 1980s, his work has included artistic research, performances, installations and drawings as part of the Autoperforationsartisten. Together with Ania Rudolph (studied design and art), they both run the U144 underground museum in Linienstraße in … Rainer Görß & Ania Rudolph

Clare Molloy & Susanne Sachsse

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Clare Molloy works as a moderator, curator and writer. At the Gropius Bau in Berlin, she co-curated solo shows by Zheng Bo, Wu Tsang and Lee Mingwei, and worked on exhibitions, performances and public programme projects with artists including Mariechen Danz, Vaginal Davis, Johanna Hedva and Eva Koťátková. As the Guest Curator at Vleeshal in … Clare Molloy & Susanne Sachsse

Mykola Ridnyi

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Mykola Ridnyi (born in Kharkiv, Ukraine) is an artist, filmmaker and curator. He lives and works in Berlin where he holds a guest professorship in the Lensbased class at the Berlin University of the Arts (UdK). He graduated from Kharkiv National Academy of Design and Arts in 2008. Ridnyi was a founding member and participant … Mykola Ridnyi

Julia Charlotte Richter

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Julia Charlotte Richter (*1982 in Gießen, Germany) is a video artist.She studied Fine Art in Kassel (Germany), Portsmouth (UK) and Braunschweig (Germany). Julia Charlotte Richter’s works have been shown internationally in numerous screenings and exhibitions, including Manege Moscow, Georgian National Museum Tbilisi, Filmfestival Max-Ophüls-Preis Saarbrücken, Kunsthaus NRW Kornelimünster, Shortfilmfestival Hamburg, B3 Biennial of the Moving Image … Julia Charlotte Richter

Martha Schwindling

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Martha Schwindling works as a designer on the translation of concepts and narratives into spaces, furniture and objects. She is particularly interested in transdisciplinary cooperation with researchers, artists and everyday experts. Schwindling has designed displays for artists and cultural institutions such as HKW Berlin, Kunstverein München and Kunsthalle Wien. In addition to her work as … Martha Schwindling

Katrin Steiger

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Katrin Steiger (*1982, Schmalkalden, Germany) is a conceptual artist who works with textiles and multimedia. Her experimental work operates between observation and transformation in order to explore aspects of performativity in everyday life. With her interest in multisensory signifiers, she investigates textile appearances, contemporary phenomena and social behavior also in participatory formats. In 2012, after … Katrin Steiger

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